{"id":2150,"date":"2016-03-11T12:47:00","date_gmt":"2016-03-11T12:47:00","guid":{"rendered":"http:\/\/www.glu-sg.si\/v2\/\/si\/v-kglu-na-ogled-video-sorena-thila-funderja-nicholas-brady-target-audience-ciljna-publika\/"},"modified":"2018-05-31T03:04:03","modified_gmt":"2018-05-31T03:04:03","slug":"v-kglu-na-ogled-video-sorena-thila-funderja-nicholas-brady-target-audience-ciljna-publika","status":"publish","type":"post","link":"https:\/\/www.glu-sg.si\/en\/v-kglu-na-ogled-video-sorena-thila-funderja-nicholas-brady-target-audience-ciljna-publika\/","title":{"rendered":"V KGLU na ogled video S\u00f8rena Thila Funderja: Nicholas Brady (Target Audience\/Ciljna publika)"},"content":{"rendered":"

v okviru mednarodnega projekta Performing the Museum (Muzej v gibanju)<\/p>\n


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S\u00f8ren Thilo Funder: Nicholas Brady (Target Audience\/Ciljna publika)<\/span><\/span><\/p>\n

2016, HD-Video, 12\u201913\u201d<\/span><\/span><\/p>\n

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S\u00f8rena Thila Funderja je k sodelovanju povabil Muzej suvremene umjetnosti iz Zagreba. Delo Nicolas Brady (Ciljna publika) ima tako literarne kot zgodovinske reference, hkrati pa odseva pogled na sedanjost in muzej kot institucijo.<\/span><\/span><\/p>\n

Skupina najstnikov se giba po razstavnih prostorih, arhivih in kletnih hodnikih Muzeja suvremene umjetnosti v Zagrebu, vseskozi pa se vra\u010dajo k prvi hrva\u0161ki avantgardni sliki ‘Pa-fa-ma’ Josipa Seissla. Njihovo gibanje spominja na  impulzivno energijo igri\u0161\u010da med odmorom. Med modernisti\u010dnimi deli se odvija \u010dudna igra skrivalnic, ki lahko na nek na\u010din zbudi tudi predstave o srednje\u0161olskih strelskih pohodih. Znotraj postavitve stalne zbirke muzeja se odvija nervozna, stra\u0161ljiva situacija s talci, napadeni so mladi v muzeju umetnosti.<\/span><\/span><\/span><\/span><\/p>\n

V videu se pojavi tudi lik iz znanstveno fantasti\u010dne novele Phillipa K. Dicka z imenom Nicolas Brady.<\/span><\/span><\/p>\n

Prek telepatskega toka povzro\u010dene video podobe ka\u017eejo skrivno zbirko moderne umetnosti, ki se nahaja v zakloni\u0161\u010du v Leningradu.  Neskon\u010dni tok modernih klasikov, ki presegajo koli\u010dino mo\u017ene produkcije bombardira Bardijevo zavest in pri njem vzbudi nov kriti\u010den pogled. Ta epifanski video prenos oddaja satelit Valis. V videu Nicolas Brady (Ciljna publika) je ta satelit prevzel obliko abstraktnega dela  ‘Pa-fa-me’ Jossipa Seissla in modernisti\u010dni liki se po\u010dasi obra\u010dajo okoli svoje osi ter se tiho vrtijo skozi prostor.<\/span><\/span><\/span><\/span><\/span><\/span><\/p>\n

Med ekspresivnim gibanjem mladostnikov v fiksni strukturi muzejskega prostora in potencialom nove zami\u0161ljene umetni\u0161ke zbirke, o kateri govori znanstvenofantasti\u010dno literarno delo, video   S\u00f8rena Thila Funderja Nicolas Brady (Ciljna publika) ustvari zgodbo, ki odra\u017ea skrite odnose mo\u010di v strukturi in arhitekturi (umetni\u0161kega) muzeja ter zgodovine hrva\u0161ke in mednarodne avantgardne umetnosti.<\/span><\/span><\/span><\/span><\/p>\n

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S\u00f8ren Thilo Funder was invited to participate in the project by Museum of Contemporary Art Zagreb (MSUZ). The work Nicolas Brady (Target Audience) has literarry and historical references, at the same time it reflects the position of a museum.<\/span><\/span><\/p>\n

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A group of teenagers are moving through the exhibition spaces, archives and basement hallways of the Museum of Contemporary Art in Zagreb, always returning to the first Croatian Avant-garde painting, \u2018Pa-fa-ma\u2019 by Josip Seissel. Their movements recall the impulsive energy of playground during recess. The strange game of hide-and-seek that plays out among the modern artworks might also evoke the imagery of high school shootings. The museum is depicted in a sort of hostage situation \u2013 the art museum is under siege and this nervous eerie situation plays out playfully in the museums permanent collection. Somewhere else Philip K. Dick\u2019s character Nicolas Brady is being induced with a telepathic stream of handheld video footage of secret modern art collection concealed in a bunker in Leningrad. And endless torrent of modern classics, disturbingly exceeding any realistic volume of such productions, bombards his consciousness and ignites a new critical sight. This epiphanic video transmission is relayed to Nicolas Brady via the godlike satellite Valis. In Nichloas Brady (Target Audience)<\/span><\/i> the satellite takes the shape of Josip Seissel\u2019s \u2018Pa-fa-ma\u2019 and the solid modernistic formations slowly revolves and turns on its on axis, spinning silently through space. In a playful clash between the expressive movements of the youngsters in the fixed structure of the museum space and the odd potential of new imagined art collections through fiction literature, Nicolas Brady (Target Audience) <\/span><\/i>creates <\/span><\/i>a tiny orbit around a modernistic satellite invested in the hidden power relations in the architecture and structure of the (art)museum and the history of Croatian and international avantgarde art.<\/span><\/span><\/span><\/span><\/span><\/p>\n

\"eu_flag_creative_europe_co_funded_pos_rgb_right_micken\"<\/span><\/span><\/span><\/span><\/span><\/p>\n

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\"PerMuse_LOGOmicken_za_splet\"
<\/span><\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

v okviru mednarodnega projekta Performing the Museum (Muzej v gibanju) S\u00f8ren Thilo Funder: Nicholas Brady (Target Audience\/Ciljna publika) 2016, HD-Video, 12\u201913\u201d   S\u00f8rena Thila Funderja je k sodelovanju povabil Muzej suvremene umjetnosti iz Zagreba. Delo Nicolas Brady (Ciljna publika) ima tako literarne kot zgodovinske reference, hkrati pa odseva pogled na sedanjost in muzej kot institucijo. […]<\/p>\n","protected":false},"author":2,"featured_media":2151,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2150","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.glu-sg.si\/en\/wp-json\/wp\/v2\/posts\/2150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.glu-sg.si\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glu-sg.si\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glu-sg.si\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glu-sg.si\/en\/wp-json\/wp\/v2\/comments?post=2150"}],"version-history":[{"count":1,"href":"https:\/\/www.glu-sg.si\/en\/wp-json\/wp\/v2\/posts\/2150\/revisions"}],"predecessor-version":[{"id":2325,"href":"https:\/\/www.glu-sg.si\/en\/wp-json\/wp\/v2\/posts\/2150\/revisions\/2325"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.glu-sg.si\/en\/wp-json\/wp\/v2\/media\/2151"}],"wp:attachment":[{"href":"https:\/\/www.glu-sg.si\/en\/wp-json\/wp\/v2\/media?parent=2150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glu-sg.si\/en\/wp-json\/wp\/v2\/categories?post=2150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glu-sg.si\/en\/wp-json\/wp\/v2\/tags?post=2150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}